Yee-haw! 6 of the best LGBTQ+ cowboy films, from Brokeback Mountain to Strange Way Of Life

Groups of leather-clad hunks, getting sweaty and riding horses across American ranchlands, you say? Cowboy films have always had queer undertones.

But, in recent decades, directors have made this far more explicit, with some truly incredible hot, romantic and heartbreaking tales of male love and lust on the open range being shown on the big screen.

Many celebrate Pride month by watching an excellent film or two, and Westerns can be an excellent option. So here are some excellent classics from the LGBTQ+ cowboy canon, listed in no particular order.

Ticking off an almost unfathomable amount of boxes on the internet bingo sheet, Pedro Almodóvar’s short film Strange Way Of Life saw theatre veteran Ethan Hawke and acting’s 2023 “daddy” of choice Pedro Pascal starring as a newly-reunited cowboy and sheriff. Initially portrayed as any old reunion, romantic tensions from the past soon begin to kick up the wilderness.

"It’s a queer Western, in the sense that there are two men and they love each other,” explained director Pedro Almodóvar on the Dua Lipa: At Your Service podcast. “It’s about masculinity in a deep sense because the Western is a male genre.”

Based on a 1997 short story of the same name by American novelist Annie Proulx, Brokeback Mountain stars Jake Gyllenhaal and the late Heath Ledger as ranch-hands Jack and Ennis. Far from the gun-slinging shoot-outs and epic chase scenes you might expect from a classic Westerns, it begins with a dreamscape unfolding on its rural ranges; while tending to sheep far out in the wild, Jack and Ennis become romantically involved. Afterwards, they’re left pretending that it never happened, and fearing for the brutal consequences they’d face if found out. A love story that never has a hope of trotting off into the sunset, it’s a desperately sad spin take on a genre usually steeped in performative masculine symbolism.

After being reduced to a sobbing wreck by Brokeback Mountain, the “zexy, zany and zensational” swashbuckler Zorro, The Gay Blade feels like a perfectly ridiculous remedy. The premise of this campy parody is simple: following the sudden death of his father, sword-slinging lothario Don Diego de la Vega learns that he is to inherit the coveted title of Zorro, but is quickly sidelined by an injury. So who does he call? His gay twin brother Bunny, of course, who throws himself into the role with panache and a hugely over the top glittery gold take on Zorro’s trademark costume. Completely farcical? Absolutely – but doesn’t it make a refreshing change from queer tragedy?

In the majority of classic Westerns, women tend to take a back seat – mostly appearing as swooning damsels in distress amid the macho gun-fire, or propping up the bar in town saloons. In Johnny Guitar, meanwhile, strong-willed saloon owner Vienna runs the whole show, much to the chagrin of the fuming male locals, and her fiercest rival Emma.

Though it’s never explicitly spelled out, the queer subtext is strong with this one – in one scene, the titular Johnny begs Vienna to lie about her apparent love for him (“How many men have you forgotten?” he asks. “As many women as you’ve remembered,” she quips right back) while other characters seem strangely threatened by Vienna for reasons they struggle to pin down. “Never seen a woman who was more of a man,” says her cook. “She thinks like one, acts like one, and sometimes makes me feel like I’m not.” Emma wants Vienna dead, sure, but there’s something else simmering beneath the surface that means she just can’t give up the chase. 1954’s answer to Killing Eve, if you will.

A critical smash hit, this revisionist Western adapts Thomas Savage’s 1967 novel of the same name. Set on a Montana ranch, the story examines tense interpersonal relations and toxic masculinity as scheming brothers Phil (Benedict Cumberbatch) and George (Jesse Plemons) attempt to manipulate everyone around them. Particularly cruel and self-loathing, there seems to be more to Phil’s resentful facade than meets the eye – and it later emerges that he’s battling to hide who he really is.

Another subversion of the archetypal Western and its roaming loner, 2022’s Cowboys follows a Montana father and son who escape together into the wilderness on horseback. Dad Troy has recently separated from his wife Sally, who refuses to allow Joe – their son, who is trans – to live as his authentic self. As the pair race towards the Canadian border, with the police in hot pursuit, a complex and intensely moving story about family dynamics and gender identity unfolds.