Losing the plot four times over

10 April 2012

Jieho Lee’s debut thriller is based on an Asian proverb which breaks down life into happiness, sorrow, pleasure and love. The film has four sections, each focusing on a character representing one of these emotions. They all come together in the end — just not in a very convincing way.

Forest Whitaker, a minor cog in the banking machine, loses his savings and more on a horse and gets beaten up by Andy Garcia’s crime boss as a consequence. Meanwhile, the boss’s enforcer (Brendan Fraser) falls in love with a rising singer whom the boss controls (Sarah Michelle Gellar).

Then there’s the doctor (Kevin Bacon), who’s in love with his best friend’s wife (Julie Delpy), searching hysterically for the antidote when she’s bitten by a snake.

Lee’s view of his characters is as eccentric as the proverb; his filmmaking varies between hard-bitten realism and flashy melodrama. The whole is watchable but sometimes ridiculous. His actors do their best in difficult circumstances — but perhaps they felt anything was better than an ordinary Hollywood thriller without any originality at all.

The Air I Breathe
Cert: 15

Create a FREE account to continue reading

eros

Registration is a free and easy way to support our journalism.

Join our community where you can: comment on stories; sign up to newsletters; enter competitions and access content on our app.

Your email address

Must be at least 6 characters, include an upper and lower case character and a number

You must be at least 18 years old to create an account

* Required fields

Already have an account? SIGN IN

By clicking Create Account you confirm that your data has been entered correctly and you have read and agree to our Terms of use , Cookie policy and Privacy policy .

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged in